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Bio Repertoire Gallery

Rodolfo Rubino



I. Albeniz:
E. d’Albert:
13 Valzer op. 6 for piano four hands;
J. S. Bach:
English Suite n. 2,"Air" from Johann Sebastian Bach's Orchestral Suite No. 3, English Suite n. 3, The Well-Tempered Clavier I Book: Preludes and Fugues n. 1, 2, 3, 5, 6, 9, 10, 11, 15, 16, 18, 21, The Well-Tempered Clavier II Book: Preludes and Fugues n. 1, 2, 3, 4, 5, 6, 7, 10, 12, 15, 20, 24;
Ciaccona, Choralvorspiel, G-durToccata und Fuga D-dur;
L. Van Beethoven:
Für Elisa, Piano Concerto n. 3, Sonata Op. 10 n. 2, Sonata Op. 101, Sonata Op. 110, Sonata Op. 13 Patetica, Sonata Op. 27 n. 2, Sonata Op. 53;
M. Balakirev:
Islamey; On the Volga for piano two hands;
A. Berg:
Sonata op. 1;
J. Brahms:
Four Ballades op. 10, Hungarian Dance n. 5, Hungarian, Dances n. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 for Piano four hands, Piano Concerto in D minor, Scherzo op. 4, Sonata for Piano and Clarinet op. 120 n. 2, Sonata for two Pianos four hands, Valzer Op. 39 for Piano four hands, Variations on a Thema by Schumann Op. 9;
M. E. Bossi:
7 Walts for Piano four hands;
F. Busoni:
Elegia, Toccata, Variazioni su un Preludio di Chopin;
A. Casella:
Due ricercari sul nome BACH;
F. Chopin:
Andante spianato et Grande polanaise brillante op. 22, Ballades n. 1, 2, 3 and 4, Barcarola op. 60, Berceuse op. 57, Berceuse op. 57, Impromptu op. 29 n. 1, Fantasie-Impromptu op. 66, Mazurca op. 68 n. 2, Nocturnes op. 9 n. 2, op. 27 n. 1, op. 48 n. 1, Nocturne, B. 108 and Nocturne in C-sharp minor, B. 49, Piano Concertos n. 1 e n. 2, Polonaises in G-sharp minor, op. 26 n. 1 and op. 53, Preludio op. 28 n. 4, Scherzos op. 20 n. 1 and op. 31 n. 2, Sonata n. 2, Études op. 10 and op. 25, Valzer Brillante op. 18 n. 1, op. 64 n. 2, op. 69 n. 1 and 2;
F. Cilèa:
Alla Gavotta for Piano four hands, Amor joyeux for Piano four hands, Aria campestre, Canto del mattino, Chansonnette for Piano four hands, Danza, Gocce di rugiada, Idillio for Piano four hands, L'arcolaio, Mazurca, Melodia, Romanza,Serenata, Valzer;
M. Clementi:
Sonata op. 25 n. 4;
K. Czerny:
Concerto for Piano four hands and Orchestra;
C. Debussy:
Claire de lune, Golliwogg's cake-walk, La danse de Puch, La fille aux cheveux de lin, Lindaraja for two Pianos fur hands, Petite suite for Piano four hands, Première Arabesque, Première rhapsodie for Clarinet and Piano, Prélude à l'après-midi d'un faune for Piano four hands (arr. Ravel);
C. Franck:
Quintett, Sonata in A major for Violin and Piano;
G. Gershwin:
Rhapsody in Blue;
E. Granados:
E. Grieg:
Walzer Capricien op. 37 for piano four hands;
S. Guzzi:
"Ninna nanna" and "Triste sogno";
F. J. Haydn:
Piano Concerto in Re major, Sonatas n. 53 Hob XVI. 34 e n. 59 Hob XVI. 40;
L. Janáček:
12 Moravian Dances for piano four hands;
Cortége du Sardar for two pianos four hands;
Concerto for Piano four hands and Orchestra;
F. Liszt:
Après une lecture de Dante from Années de pélegrinages, 12 Études d'exécution transcendante, Confutatis and Misere from Mozart's Requiem, Don Giovanni from Mozart, Fest Polonaise for piano four hands, Grand Galoppe Chromatique, Hungarian Rhapsodie n. 2 for Piano four hands, Hungarian Rhapsodies n. 2 and n. 6, La Campanella, La Leggierezza, La lugubre gondola I, "Les Préludes" for Piano four hands I, Liebesträume n. 3, Mephisto-Waltz, Norma from Bellini, Ouverture from Rossini's Guglielmo Tell, Piano Concertos n. 1 and n. 2, Sonata in si minore, Tarantella from Années de pélegrinages, Un sospiro, Vallée d'Obermann and Orage from Années de pélegrinages;
A. Longo:
"Piccola suite" for Piano four hands; Sonata n. 6 for Piano;
R. Maddalena:
"Como agua à romã";
F. Mendelssohn Bartholdy:
Andante und Allegro assai vivace op. 92 for Piano four hands, Andante con Variazioni op. 83 a for Piano four hands;
D. Milhaud:
Duo concertant for Clarinet and Piano;
W. A. Mozart:
Adagio and Fugue for Two Pianos in C minor, K. 426, Piano Concertos K466, K467 and K488; Piano Concerto for two pianos four hands k365; Sonatas K 280, K 331, K 332, K 333 e K 540, Sonata for Keyboard Four-hands in B-flat major, Sonata for Two Pianos in D major K. 448,
V. Palermo:
Canto Gemello for Piano four hands; Corale per figure lignee for two pianos four hands, Notturno n. 6, Piano Concerto n. 2, Sonata for piano solo, Sonata for Clarinet and Piano; Studi della Parallasse
P. D. Paradisi:
Toccata in A major;
F. Perri:
Blatter for two pianos four hands;
A. Piazzolla:
Concierto para quinteto, Contrabajissimo, Milonga del Angel, Oblivion, 4 Estaciones Porteñas, Resurreccion del Angel, Retrato de Alfredo Gobbi;
F. Poulenc:
Sonata for Clarinet and Piano, Sonata for Flute and Piano, Sonata for Piano four hands;
S. Prokovieff:
Étude op. 2 n. 3;
S. Rachmaninoff:
Elegia, Liebesleid from Kreisler, Piano Concerto n. 2, Prélude Op. 23 n. 5, Six Pieces op. 11 for Piano four hands, Sonata op. 36, n. 2, Suite n. 2 for two pianos The Bumble-Bee from Korsakov;
M. Ravel:
"Alborada del gracioso" from Miroir, Bolero for two pianos, Menuet, Rigadon, Toccata from Les Tombeau de Couperin;
A. Rendano:
Melodia for the left hand, Valse triste, Variazioni su un tema calabrese;
A. Respighi:
Six little pieces for Piano four hands;
P. A. Rubino:
Alba d'amore, Il ballo di Narciso;
C. Saint-Saëns:
Clarinet Sonata in E- dull major for clarinet and piano, Études op. 111 n. 1, 2, 3, 4, 5, 6;
I Gymnopedie for two pianos four hands;
D. Scarlatti:
Sonatas in D major, in G major, in D minor and Toccata;
A. Scriabin:
Sonata n. 2;
Florent Schmitt:
Reflections of Germany Waltzes op. 28 Book I for Piano four hands I Heidelberg, II Coblentz, III Lubeck, IV Werder;
F. Schubert:
Fantasia in F minor op. 103 for Piano four hands, Impromptus op. 90 n. 2 and n.4, Momento Musicale n. 3, Sonata op. 144, Sonata D 958;
D. Shostakovich:
Concertino for two pianos four hands;
R. Schumann:
Quintett op. 44, Sonata op. 22, Piano Concerto, Violin Sonata No. 1 in A minor, Three Fantasy Pieces for piano and clarinet op. 73;
P. I. Tchaikovsky:
Piano Concerto n. 1, The Seasons;
R. Wagner:
Polonaise for piano four hands;
C. M. von Weber:
Grand duo concertant op. 48 for Clarinet and Piano, Trio in G minor op. 63 for Flute, Cello and Piano.
E. Zoudilkine:
Dois Estudos-Quadros for piano solo.


"The singer and the violinist are always studying music, even when they practice a succession of single notes. Not so with the pianist, however, for an isolated note on the piano, whether played by the most accomplished artist or the man in the street, means nothing, absolutely nothing."

(Harold Bauer)

"It is not important the study of the technique, but the technique of the study."

(Franz Liszt)